Audio Overflow is written entirely by Cale. Cale will gladly listen to your music and review it for you, but not without prior solicitation. To get in contact with Cale, send him an email: audiooverflow (at) gmail (dot) com.
Please understand that Audio Overflow is a "part time" blog, and Cale may never get a chance to mention your music. That's a risk you're gonna have to take. Hint: your chances are better if your music is good. Read around the blog and discover what Cale likes. If you think your music is similar...send it in!
Hey, what is this feature? Oh, it's Moods, the feature where I pick a specific mood and then build a playlist off of that. Nice! I almost forgot it existed.
Ever get in one of those moods where you just have to sit back and self-evaluate; where you sit back and ask yourself those really deep questions that you try to avoid most of the time? That, friends, is called "introspection" or "the examination or observation of one's own mental and emotional process." It can be quite helpful in determining who you are, who you want to become, and what you want out of life.
But introspection has it's drawbacks too. For example, I don't think a person is capable of being introspective when an *Nsync song is playing in the background. You'll either a.) start dancing and singing along (guilty), or b.) jump up to turn that shite down! Either way, you're getting out of the zone. To stay in the zone, I usually require a song with no words - an instrumental. That way, I'm not distracted by catchy hooks or someone else's introspective thoughts.
So with that in mind - you guessed it - here's a playlist of instrumental songs that should keep you in that introspective mood long enough to figure out why exactly you're still dating that rather annoying, though inexplicably hot girl that you just can't stand, or why you constantly feel the need to be the center of attention. Deep stuff, people. Don't screw it up!
I joke about being a music snob. Hell, it's in the subtitle to page you're on right now. The truth of the matter is that I don't consider myself to be one because I don't esteem myself higher than others because of the music I listen to. I do, however, reserve the right to esteem you lower because of the music YOU listen to (lookin' at you, Linkin Park fan). But I know how it is. Sometimes you just want to be a music snob, to have uber-valid opinions and a wide assortment of band names and album titles to pull out of your ass at a Starbucks or crazy indie rock show. Well, if you're feeling particularly snobby, here's a music playlist that should help you along. It's only 8 tracks, but one of them happens to be 22 minutes long. If that doesn't make you a music snob, I'm not sure what will.
Let's not try to make excuses here. Street Horrrsing is a terrible album. If you've followed the overhyped history of this British noise band from their humble roots in 2004 to the present day, then you are well-aware of the fact that this band has grown significantly since that time. Where their earlier "songs" found the band mixing an endless array of sounds, textures, and distortions to form completely incoherent catastrophes, Street Horrrsing shows a couple of guys who have added a few pleasing elements (ie. melody) to their music. The end result is still very much a disaster, but I didn't find myself hating it altogether.
"Noise rock," "experimental," and my personal favorite, "noisecore," are all terms that have been used to haphazardly describe Fuck Buttons' compositions. Perhaps void of "rock" and "core," the term "noise" would be much more appropriate. For the majority of Street Horrrsing's runtime, the group is more than content with assaulting your ears with a inappropriate level of distortion, background screams, and random electronic instrumentation. There are times when the band lets up a bit, like on "Ribs Out," where we're treated to several minutes of tribal drums and delayed monkey howl-esque vocals (I believe they are vocals). Lyrics (aside from indecipherable screams) are nowhere to be found on the album, which can't be a bad thing as I usually find it better when an artist learns to make music before they start singing along to them.
And while the sonic majesty and depth of Fuck Buttons' compositions are hardly debatable, the sheer difficulty of them are not. They're easy. When actual notes are played, they're usually part of a four-chord progression that continues throughout the length of the song. That's not such a deterrent for a 3-minute pop song, but seeing as how all but one of the songs on Street Horrrsing are over 7 1/2 minutes long, even the most impressive moments of the album start to wear thin eventually. Personally, I found "Sweet Love For Planet Earth" to be captivating until it hit the 6 minute line and just repeated the same thing for the next 3 minutes. Likewise, "Okay, Let's Talk About Magic" (the longest song on the album) is downright tedious.
That's not to say that Fuck Buttons is completely without talent or vision, however. I've found them to be a duo capable of both. The problem simply lies in the music that is presented on Street Horrrsing. To put it bluntly, it sounds completely amateur at times. Only two tracks have anything that sounds completely different from the other four, and even then the music that is playing is hardly profound or even noteworthy. The whole "let's play loud distorted music and then scream underneath it" theme is repeated over and over again and it's silly to suggest that such a gimmick is worth filling up an album with, or that it's worth hearing more than once.
I've heard it said by several friends and bloggers that Fuck Buttons is just messing with us, making an album that is purposefully bad just to see who will fall for their ruse. I don't buy that at all. I think Fuck Buttons made Street Horrrsing as a serious output for their music. Unfortunately, the band misses the mark on so many levels that it's hard to take someone who rants and raves about the album seriously. It's too simple to be experimental, too melodic to be noise rock, and not melodic enough to be considered anything else but amateur. If the band was reaching for something wholly unique, something indefinable, they have actually achieved that goal. Unfortunately, if they were going for something good, they have a way to go. Street Horrrsing lies somewhere between a bad Lumines Soundtrack and skipping record. Both might be welcome changes after enduring this unfortunate album.
Key Tracks: 1. "Sweet Love for Planet Earth" 2. "Ribs Out"
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