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Showing posts with label The Police. Show all posts
Showing posts with label The Police. Show all posts

Monday, August 25, 2008

Perfect Summer Soundtrack - Week 12

Well what do you know? It seems like only yesterday that I birthed this silly summer feature called the "Perfect Summer Soundtrack." But alas the fruit of my loins must emerge from it's nest and soar the autumn skies as a distant, though fond memory.

The Ultimate Road Trip Playlist

One might argue that I've spent too much time on the road trip this summer. While true in some regards (every album featured has been a particularly great road trip album), I'd like to offer a counter-point in that most memorable summer activities - be they vacations, trips to the beach, the lake, or a water park - involve hopping in the car and taking a drive. Certainly there aren't many who read this blog that would engage in such an activity only to pop in Meshuggah or Mastodon to accompany their trip. Therefore, I've continually tried to offer up what I consider to be great drive-time records, filled with songs that somehow seem better when you're behind the wheel.

This week's playlist is not only the last of this series, but perhaps the last I'll do for Audio Overflow, what with my imminent departure less than a week away. So I wanted to give you all something a bit special, in this case a multiple hour playlist (assuming imeem plays nice with all the 30-second samples) that is meant to be listened to behind the wheel. Is it worth going to your wireless provider, purchasing a laptop connect card, and hooking that laptop up to your car stereo for? Maybe. At the very least, it's worth listening to at your work desk, or at home when you've got nothing better to do. Maybe you'll find something that you've never heard, forgot about, or always liked but never bought. Maybe hearing it on this playlist will make you want to rush out and buy that to add to your own custom road trip playlist. I don't know how you roll. What I do know is, for me, it doesn't get any better than this.


Click HERE to view Weeks 1-11 of this 12-week series.

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Thursday, May 08, 2008

The Police: Every Breath You Take: The Classics -- Part II

Hello... nice of you to stop by. Thank you for reconvening at this retro review. To reiterate, I felt that this particular album, being 14 songs in length deserved a two week coverage period (much to the chagrin of some people). But it's like my teachers told me... "when you're the teacher you can do what you want". I feel the same principal is applied to this review. Without any further introduction or disclaimer, I give you, part II.



The eighth track we have to cover is titled "Invisible Sun". It's stranger than a lot of other songs on this album but that is part of what makes it so unique. It is much darker in content and sound as well. One of the elements of this song that I find so appealing is the use of synthesized music. So often you hear bad synthesized 80's music that makes you want to rip your ears off, but in the tasteful-ness that is all things The Police, this is nicely done. In fact, the synthesizer is used to completely enhance the chorus (my favorite part of the song). Vocally, you could pick it out of a crowd of songs as Sting, so it's nothing too new, but musically, I find it to be a refreshing change from it's previous song, "Every Little Thing She Does Is Magic". I feel like "Spirits In The Material World" is a little more traditionally them. It has that same quirkiness that can be found in other songs on this album, particularly songs like, "De Do Do Do, De Da Da Da". It's upbeat with odd lyrics and hints of dissonance. However, even with that sense of familiarity, it is one of my least favorites. By no means, is it bad, but it's a song which I had to listen to multiple times before I could recall anything about it. In my opinion, it's just not as memorable as some other, more noteworthy tracks.

What can be said about "Every Breath You Take" other than, it's so good it's the album's namesake. In fact, this song is so great that it's not only the cat's meow, but apparently Diddy's too (formerly known as "Puff Daddy"). It's a truly romantic song that make girls swoon over the musical manliness that is Sting. But what's in it for men you ask? Well, for starters, it's lyrically a great song that everyone can appreciate. Listeners of all ages know that this song is relateable and singable. I personally cannot recall the last time I heard this song and didn't lay down a few vocals myself. Music-wise, "Every Breath You Take" is equally nice with it's recognizable guitar riffs and steady beats. By far, the best feature of this song is the vocals. They are in completely perfect pitch and the high quality to them has that extra "umpf" that can keep even the most distracted person hanging on by a thread. It's a brilliant song, and though definitely overplayed and overcovered, one thing it is not, is overrated. The next track, "King of Pain" has been played on virtually every mix radio station known to man, yet it baffles me. It's not one of their biggest hits, nor do I think it's one of the best, yet it gets more airplay than some of their better songs, namely, "Don't Stand So Close To Me" or "Message In A Bottle". It's catchy enough, but there is really nothing too spectacular about it other than the mostly memorable chorus. This one probably takes the cake as my least favorite. Vocally, it's not bad, but for the most part, I feel like it's below their skill level; especially during the verses when only two notes are being banged out at a time, repeatedly. After a while, it all begins to sound the same, except for the end in which he proclaims that he'll "always be King of Pain".

"Wrapped Around Your Finger" is a nice song that resembles some of their other ones however, in this instance, familiarity works to their advantage. While you're not likely to remember the actual lyrics to the verses of this song, the chorus lyrics "I'll be wrapped around your finger" will stay with you long after the song has ended. In my mind, that's one of the traits of successful music. The keyboard/synthesizer is heavily featured in this track which helps to leave a bigger, more lasting impression on the brain. I'm sure that many readers of this review will actually prefer the last track ("King Of Pain") to "Wrapped Around Your Finger", but in the end, I feel like it boils down to the difference of forgetting a track and remembering another. This one is definitely more memorable.

The last two features on the album, "Don't Stand So Close To Me" and "Message In A Bottle" are both remixes of their originals. This concept has failed several artists including Ace of Base and Snow (granted they both suck anyway), but I feel in this instance, it doesn't fail, but it doesn't score huge bonus points either. "Don't Stand So Close To Me '86" is what I like to call my "Flight of the Navigator" track. I don't know if you have had the privilege of seeing the cheesy 80's classic, but whenever I hear overly electronic music with a very packaged pop sound, I automatically envision the movie. I can let you determine your own associations, but the differences between the original and the remix are these... the remix is very much electronic, it has a completely different chorus melody, and a few subtle word changes. So The Police took one of their best songs and managed to turn it into an okay song, but in the end, it's mostly an unnecessary addition. The biggest shocker on the album is the remix of "Message In A Bottle". I have listened to it dozens of times and cannot find a single solitary difference between it and the original. I was so sure that there had to be something there, that I went searching for what other reviewers had said about the song. The only answer I found... nothing. One reviewer actually used the phrase, "all but indistinguishable from the original" and I all but have to agree. I can't find anything remotely different about the two and I have gone so far as to analyze them in sections. Therefore, I can't say anything else about the remix other than "Message In A Bottle" is good the first time and good the second time... However, if I really want to hear it again, I don't need it to be on an album twice in the exact same format. I'll just use the repeat function thanks.

All in all "Every Breath You Take: The Classics" is one of my favorite albums simply because it's a collection of greatest hits with a few changes. I would recommend this album to any fans of The Police, except for the die hard fans as they will likely already have the other albums and should just save the moola. A great album though. Hope you enjoy.

Key Tracks:
1. Roxanne
2. Message In A Bottle
3. Walking On The Moon
4. Don't Stand So Close To Me
5. Every Little Thing She Does Is Magic

7 out of 10 stars

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Thursday, May 01, 2008

The Police: Every Breath You Take: The Classics -- Part I



I know it may be a little unorthodox on Audio Overflow to review a "greatest hits" type of album, rather than an album from which these songs came. However, being orthodox is not something I put much stock into when choosing an album or writing a review. I review what I like, and I like this album. Every Breath You Take: The Classics is just that... classic. I seriously doubt two things: a) that you find a song on here that you don't like and b) that you find a favorite that's not on this album. The Police do an amazing job as a band, and with Sting being their principal songwriter, how could they go wrong? This is a great listen and takes a spot among my top 10 favorite albums of all time. It's been known to repeat in my car CD player for days upon days. I hope you'll discover the same.

To start things off, you have "Roxanne", a song which I've always assumed to be about a prostitute and until today, did not know that it was loosely based on one of Sting's favorite novels, "Cyrano de Bergerac". It begins with what sounds like a song trying desperately to find its pitch, and after a matter of seconds, draws you nigh with captivating vocals and brilliantly played instruments. One of the best things about this song is that it's 100% memorable. I don't know if I know anyone who doesn't know this song. From grandparents to grandchildren, this is a well known, sing-along-able song (I like to make up words). One of my all time favorite songs to sing and listen to. It's spectacular! "Can't Stand Losing You" is a different type of song with it's Caribbean beat during the verses and electric guitars during the chorus. It's a very odd song with crazy harmonies that are strangely appealing, not appalling. With Sting's high pitched voice, sung in this particular song, it's not inconceivable that this song wouldn't click right away with listeners. It didn't with me, but I've come to love it the more I listen to it.

"Message in a Bottle" is a track which I now associate with guitar hero... probably because I couldn't beat it without a lot of practice. At any rate, it's tremendously guitar driven, but it works to its benefit as we have not had a song like this on the album yet. The music is brilliantly written, the vocals are captivating and catchy, and the lyrics are masterfully written. My favorite part of the song is when you realize there's millions of other castaways! It's a very cool moment within the context of the song. I strongly adore this song! In "Walking on the Moon", the Caribbean beat has returned (remember, it's just the beat, not the music as a whole). While this song's lyrics are nothing incredibly thought provoking, they're great to listen to and harmonize with, something I do quite frequently in my attempt to better a classic. "Walking on the Moon" has the same repetitive feel to it throughout its course, with little variation, but it's a comfortable song. While I like it, there are so many better choices on this album, that it's hard to stop here.

Ah... one of my favorites. "Don't Stand So Close to Me" is about a relationship with a teacher and a young student; Whether literally, metaphorically, or imaginatively, we can only assume. Like Roxanne, this track is loosely based on another of Sting's favorite novels, "Lolita", a book about some old dude sexually obsessed with a very young minor. Creepy, I know, but while inspiration is drawn from the novel, this song does not feel entirely wrong, and the vision in my mind is a little less statutory. I enjoy the song for not only the story behind it, but also the musicality of it. It's easy to sing along to and incredibly memorable. "De Do Do Do, De Da Da Da" is the sixth song on this long album, and is probably my least favorite. While I like it enough for being a fun, upbeat song, I know there is yet better to come. However, this song has one of the most unforgettable riffs, similar in originality to Stevie Nicks' "Edge of Seventeen" riff. Me likee! I absolutely love "Every Little Thing She Does is Magic"! From a girl's perspective, it's really cute! It's not only a sweet, romantic song about a guy's pining for this girl, but also a story. This is again a song that I can visualize. I really feel like it's a good addition to a track, when you get imagery from the artist. The Police give you no exception here. It's a great story with fun and upbeat, completely singable music. The chorus, "Every little thing she does is magic. Every thing she do just turns me on. Even though my life before was tragic, now I know my love for her goes on" is so completely precious... Maybe that's why women love Sting. Who knows?

Being that Every Breath You Take: The Classics is an album that I absolutely love and it has 14 songs, I want to make sure that it received ample coverage. I would only hope to do this album a twinge of justice. Please check out the second half next week. It'll be worth it to see the other "interesting" things that occur on this album. Plus, you'll need to see the rating, right?


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