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Sunday, November 18, 2007

Go News Go! - The Weekly News Recap

Honestly, who doesn't love last week's news?

General

Tour Dates

Photos

Sweet! See you tomorrow!

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Friday, November 16, 2007

2007's Top 5 Songs From Bad Albums

It's always unfortunate when you hear a really great song and then run out to buy the album based on that one song, only to find that the rest of the album sucks! This is particularly why I'm an advocate of free online music (be it streaming or P2P). Sometimes you just need to hear the whole album before a purchase can be justified. Case in point, the following five songs. They're great songs, some of 2007's best! But they make you greatful for online music stores like iTunes where you're able to buy by the song. The following are the Top 5 songs of 2007 that were on crappy albums!




#5: "Icky Thump" - The White Stripes, from the album Icky Thump - While all the major media outlets were raving about the return-to-form that was Icky Thump, us levelheaded folks were busy wondering what the fuss was all about. Aside from about 2 to 3 decent tracks, Icky Thump sucked. Not only that, it was the same crap we've been hearing from The White Stripes for over a decade! The band showed no progression, and hardly any justification for positive feedback. "Icky Thump" was the biggest exception to this. An upbeat, infectious, and unapologetic rock song, "Icky Thump" really proved how bad the album was. It kicked things off with a bang, and everything else just whimpered.

#4: "Don't Make Me a Target" - Spoon, from the album Ga Ga Ga Ga Ga - Spoon has this habit of making 4 or 5 really great songs and lumping them on an album with 6 or 7 really forgettable songs. Ga Ga Ga Ga Ga was a really good example of this. Tracks like "Don't you Evah" and "The Underdog" were fantastic tracks, while a song like "Japanese Cigarette Case" is just begging for you to skip it. My favorite track on the album is the powerful, toe-tapping opener, "Don't Make Me a Target." Brit Daniel's vocals are spot-on as usual, and the infectious groove created by the guitar is just unstoppable. I love every minute of it; both on the CD and live!

#3: "Sugar Assault Me Now" by Pop Levi, from the album The Return to Form Black Magick Party - Wow, what a mediocre album. With only two songs that I listen to occasionally, The Return to Form Black Magick Party is an album that doesn't need to exist. Not good enough to enjoy and not bad enough to make fun of, Pop Levi's debut album was just mediocre enough to forget. "Sugar Assault Me Now" is yet another lead-off track that showed promise, only to find that promise squandered on annoyingly repetitive guitar riffs and vocals. It's as if Pop Levi thought to himself, "What's the best way I could ruin this?" and then did exactly that. This song is still one of my favorite on my running playlist, and if it weren't for that, Pop Levi would've been forgotten about a long long time ago.

#2: "Lake Michigan" by Rogue Wave, from the album Asleep at Heaven's Gate - Oh man, what a disappointment! Rogue Wave is one of my favorite bands, so I was so hyped about their newest album. When I found out that it's only about half an album with a bunch of filler, I was as close to heartbroken as you can be over music. Their first two albums were flawless. This one, not so much. There are some fantastic song on here though, "Lake Michigan" being the stand out by far! And people are taking notice too, thanks to Microsoft. While I'm not the biggest fan of the album, I'm finally happy that the band is getting the attention that they deserve. If only it were for Descended Like Vultures.

#1: "One Two Three Four" by Feist, from the album The Reminder - To say The Reminder was a disappointment is an understatement. The album has one great song in "One Two Three Four" and then a bunch of mediocre to terrible songs filling in the rest of the space on the CD. It's a shame when you consider how great Let It Die was. Like Rogue Wave, Feist has gotten a lot of attention recently thanks to Microsoft Apple, which is good. She's too talented of an artist to not be heard, and the video to this song is much too magical to be ignored. If anything, I'm happy for Feist. But my feelings remain the same about The Reminder. It's bad!

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Wednesday, November 14, 2007

Video of the Week - Week 45



St. Vincent - "Jesus Saves, I Spend" from the album Marry Me

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Tuesday, November 13, 2007

Dillinger Escape Plan: "Ire Works"

If you were to take a look at my past reviews and judge what music I generally like based on them, you'd be incredibly surprised that I really enjoy Dillinger Escape Plan. Whether it's their undeniable ability to craft the most intricate music on the planet, or the fact that they tap into the most primal urge to throw restraint to the wind and rock out; Dillinger has had me since I first listened to their stuff several years ago. Miss Machine, was my introduction to the band. The album's more accessible moments ("Unretrofied" or "Phone Home") are originally what drew me in. Before I knew it, I was a full blown fan, picking up Calculating Infinity and scouring their numerous EPs for other great material. I am pleased to say Ire Works continues the bands tradition of making great music.

For those worried that the departure of drummer Chris Pennie would spell the end for the band's complex percussion, shame on you. You should know better. Despite this unfortunate event, the addition of Gil Sharone to the band changed absolutely nothing about the Dillinger's sound. Never is this more apparent than on "Fix Your Face" the album's strong, in-your-face opener. Greg's vocals are intimidating as ever, growling out "You were young and now you pay the price for her, price for her," with unparalleled force. "Lurch" seems to follow the same theme, lyrically, as the first song. Greg's ranting about a "little starlet" is haunting, and the guitars are all over the place as usual. It's amazing!

"Black Bubblegum" is the first "singing" song on the album, in the vein of "Unretrofied." It took a few listens before I started to like it. Greg enters a high falsetto several times throughout the course of the song, and hearing him sing "I had gotten frozen by the way you walked, by the love you gave, by the look on the face," is jarring simply because it seems completely uncharacteristic. The chorus completely washes away any doubt though, and should hopefully have the same effect on other skeptical listeners. The song is followed by "Sick on Sunday," a 2 minute song whose first 1:20 is mostly just filler. It doesn't really satisfy on any level.

"When Acting as a Particle" is just over a minute long, and while it could be labeled as filler as well, I've found it much more interesting and worthwhile. This instrumental song creeps up with chimes and violins before implementing the drums, all the while changing what is going on behind them. It's short, but interesting. "Nong Eye Gong" picks things back up again, if only for a brief moment. Despite it's brevity, I've found it to be one of my favorite tracks on the album. It's bookended by yet another instrumental, "When Acting as a Wave," which is also incredibly impressive. This time the band ditches the creepy vibe in favor of what feels like a jam session with a little production flare, including some electronic stutters. It all sounds great.

The album continues to impress from here. "82588" finds Greg reflecting on a fallen angel, crying "You were never a saint but now you're a sin, spoiled rotten from within. Who clipped your wings? Cut them yourself?" "Milk Lizard" brilliantly makes use of subtle brass instrumentation during the verses. The chorus leaves a lot to be desired, however, and at times I thought I was listening to Finger Eleven because the music was so easy and Greg's vocals sounded surprisingly similar to Scott Anderson's. Fortunately, "Party Smasher" does a fairly decent job of reminding me who I'm listening to again, sounding more like old-school Dillinger than any other song on the album.

"Dead as History" marks the first time that the band crosses the 5-minute mark, but the first 2 minutes serve only as a cool, but largely unnecessary introduction. Another accessible song, this one is breathtaking from start to finish. The production of the song is incredible, with little blips and beeps scattered throughout and an enchanting synth line following the second chorus. The song ends with Greg harmonizing with himself in a choir-like manner over a soft, complementing piano. It's the most different song Dillinger has ever made, and I love every minute of it. "Horse Hunter" is another fabulous song. Though more traditional, hearing Greg scream "Commerce is your god, cannibalistic flies, monarch of your womb, messiah of your thighs" at the top of his vocal register is just as amazing as anything in the song it follows.

Long-time fans may be turned off by the album's closer, "Mouth of Ghosts." You wouldn't think of Dillinger being able to pull of a Latin-jazz infused rock song, but that's exactly what they do here. The first 4 1/2 minutes lead you to believe that this song is the traditional comedown track, but it soon evolves into another brilliant example of how Dillinger can take one song and turn it into something completely different. He may begin the song singing, "Our trust runs out tonight," but by the end he's screaming "You were a mouth without a heart" with everything he has. It is a fantastic song and the end to a very strange journey of an album.

By the time your CD resets and you're hearing "Fix Your Face" again, you'll be utterly amazed that you're listening to the same band. I was! Long-time fans of Dillinger Escape Plan, and fans of grind and hardcore music in general may be turned off by the lighter moments of Ire Works, but hopefully the moments where the band turns everything up to 11 and rocks out will make up for that. Personally, I love almost every second of this album and I'm thrilled to add it to my collection of Dillinger records. I highly recommend it to fans and non-fans alike. Prepare to be blown away!

Key Tracks:
1. "Fix Your Face"
2. "Nong Eye Gong"
3. "Party Smasher"
4. "Dead as History"
5. "Horse Hunter"

7 out of 10 Stars

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Monday, November 12, 2007

myspace music monday: Teacups

I've changed the name from myspace band monday to myspace music monday. Why? Because after three weeks of this pointless endeavor, I have yet to post a band. And wouldn't you know it, on the first day with the new name I finally get around to doing just that. Today's band hails from Auckland, New Zealand and goes by the name of Teacups.


Teacups

When you think of Teacups, it's best to think of them as a folksy Eisley. Though they sound nothing like the band from Texas, they're clearly ganking some of their quirks. Their myspace page reads, "elizabeth and chelsea are hermits that rarely emerge from the depths of the forest. we indulge in sunday craft on any day of the week and most of our time is spent watching star wars in deck chairs. talita has a car." Hermits? Forests? Star Wars? That has Eisley written all over it. Still, this trio of femininity isn't near as bad as they could be. Their songs are inventive, and their harmonies are spot on. Who couldn't like that?

Songs
The first song on Teacups' myspace page is called "Lily's Eyes," and it suffers from the same ailment that the rest of the tracks on the page do; bad recording. The bass drum hits with a lowly thud and the harmonizing voices are competing with one another, fighting to the death over who will be the loudest. But the song ain't bad, and if you can get past all these little problems, you may be surprised to find that what you end up hearing is quite enjoyable. "Lily's Eyes" really shows the creativity of the band, as they throw in shout and handclaps that rival Tilly and the Wall (one of my favorites). The whole song is about Harry Potter, so if you're into that, you may love this. They definitely get props from me for that.

Next we have "Ducks in the Park," which is a live studio performance on what I'm assuming is a local radio station. Chelsea, who is responsible for the lead vocals on this song, sounds amazing! If it were recorded in a more professional way, this would probably be my favorite song on the page. But as it stands, the harmonica that comes in during the chorus is waaaaaaay too loud, and the girl shouting "The ducks in the park! Yeah, the ducks in the park!" just sounds ridiculous. The girls cite Jenny Lewis as a huge influence after the song is over, though I can't hear the resemblance (Teacups blows Rabbit Fur Coat out of the water). I suppose that's good though, because I probably wouldn't be writing this if they sounded like a Jenny Lewis rip-off.

I don't think I should have to say that "Mon Petit Poisson" is a song written in French, but in case I do....it's French. Again, I'm impressed with the uniqueness of the song. Everything here, from the harmonies to the ukulele, is so subtle and beautiful that it really shows that the group can do great things when they're not trying to blow us away with loud vocals and harmonicas. It's my absolute favorite song on the site, and what really compelled me to have them as this week's artist. It proves that they are capable of greatness.

The final song on the group's page is called "Birds Hysterical Edit" (or just "Birds"...who knows?). It features some irresistible guitaring, and probably the best vocal performance of any song on the page. Harmonies are absolutely perfect even if the recording isn't as good as it could be. The loud cackles and "Am I supposed to be singing?" remarks add to the whole bedroom feel of the song, but ultimately distract from it's greatness. One day, I'd like to hear the non-hysterical edit of "Birds." That would make me happy.

Verdict
If I sounded a bit harsh, I'd like to apologize for any confusion. I really like Teacups' sound, and off the top of my head, I can't think of anyone that they sound like. My only real complaint about the group is just that they need to give us some more quality recordings instead of all these halfway-there jobs. Still, there is some definite magic contained in these four tracks, and I would highly recommend them to everyone reading this. I have a pretty good feeling about Teacups, and I think that if they stick with it we'll be hearing a lot more about them in the future. Wouldn't that be sweet?

Links
Teacups' myspace Page
Teacups Covering Rihanna? Okay!
And Kanye too? Really?

Do you have a band in mind for myspace music monday? Send us a tip at audiooverflow@gmail.com or by leaving a comment in this post. See you next week!

All Teacups photos provided via myspace.com.

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Saturday, November 10, 2007

Go News Go! - The Weekly News Recap

This week, I've decided to group news by category. Maybe I'll do it this way from now on. Who knows?

General

Photos

Tour Dates

nerdXcore

Meh, I don't like it.

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Friday, November 09, 2007

The 5 Worst Songs of 2007

Generally speaking, 2007 has been a really great year for music. We've seen great albums from Of Montreal, The New Pornographers and other established bands, as well as some surprises from newcomers like St. Vincent. Amidst this lineup of great albums though lies a small, but terrible collection of songs that never should have existed. Now I'm just one guy, so I can guarantee you that I haven't heard all the worst songs that 2007 has to offer, especially since I try to avoid bad music at all costs. But from the albums I've listened to and reviewed this year, the following songs stand out as the 5 Worst Songs of 2007.


#5: Rilo Kiley - "15" - Musically, "15" is a fairly decent song. It's in no way impressive, or even memorable, but it's not downright bad. What is bad about "15" is the lyrics. Who would've thought that a love story about a male twenty-something falling in love and having a physical relationship with a 15-year old girl would be the year's pop anthem? Only Jenny Lewis apparently, who when performing the song live feels the need to get the crowd into it by waving her hand in the hopes of reciprocation. It's just that Jenny forgot one thing. It's not sexy, it's creepy (and pretty much illegal). No one wants to hear about a 15-year old child who is "ripe like a peach" and "down for almost anything." No one except sex offenders and 13-year old boys, that is. That's not exactly the audience I'd be targeting if I were Rilo Kiley.

#4: M.I.A. - "Jimmy" - M.I.A.'s abysmal cover of "Jimmy Jimmy Aaja" (from the 1980's Bollywood flick, Disco Dancer) was so bad that it stood out as the worst track on Kala, an album that I wasn't too fond of to begin with. I have to give her credit for trying to branch out from the straight-up grime/hip hop style that she's known for, but the pseudo-disco production and over-sexed "Jimmy" moans pretty much guaranteed the song a spot on this list. The story behind Maya's connection to the song is pretty cool and all, but someone along the way should have had the foresight to axe this one before it made it to the record (much less a single). I don't know. Maybe it's just me. I'm definitely one of the few music bloggers/critics out there who isn't completely in love with M.I.A., so that's a possibility.

#3: Britney Spears - "Toy Soldier" - Ugh. I'm already pissed about the fact that my review of Britney's new album was overrun by the moronic-majority over at Amazon.com, and then the other night I go jogging with my sister only to find that she has Britney on her iPod. Am I the only one left in the world who has the good sense to not buy into this garbage? Anyways, of all the songs on Blackout, none was more cringe-inducing than "Toy Soldier," a song in which Britney resorts to the tried and true "I need a soldier" song (and by tried and true I mean entirely overused). It's bad enough when she's rapping "peek-a-boo he good" like an illiterate human being, but by the time she's singing "I need a really bad ass soldier" you just kinda have to gouge your ears out and cry yourself to sleep. It's just one of many examples of songs on Blackout that shouldn't have ever been penned. But hey! You can dance to it!

#2: Maroon 5 - "Kiwi" - In case you haven't noticed yet, I'm a pretty big fan of lyrics. It's my policy that if the lyrics are a joke, 95% of the time the song will be also. Never was that more apparent this year than on Maroon 5's "Kiwi" in which Adam Levine tells you everything you didn't want to know, and probably a little bit more. So when he says he wants to be a "stronger and faster lover," I'm pretty sure he's talking about getting his pelvis up to about 100 TPM (Thrusts Per Minute). Ok. Fine. But then he takes it one step backwards in the chorus and says "Sweet Kiwi, your juices dripping down my chin." That's just gross! No one wants to hear about that Adam! Not a single solitary person other than yourself. Keep it where it belongs. In the bedroom, in your mind, and out of our thoughts. Thanks!

#1: Boddicker - "Bon Vivant" - Being a pretty big fan of indie music, you wouldn't think that the one song on my list that was actually put out by an indie artist would be the worst song of the year. But you'd be wrong, because a lot of indie music sucks. Case in point, Caleb Boddicker. I've never reviewed an album as low as Boddicker's 2007 debut, Big Lionhearted and the Gallant Man (1 out of 10 Stars), as I usually find enough about an album to enjoy to at least give it a few stars (Britney got 3). But Boddicker just upped the suck so much that I couldn't find one single song that I enjoyed for even a few seconds. Of all of the atrocious songs on the album, "Bon Vivant" is the worst and one of the worst I've ever heard in my life. Boddicker doesn't sing his lyrics, he howls them. He barks them. On "Bon Vivant" he howls, "The fooooooooooooooood tastes so gooooooooooooooood," sending fingers flying towards the skip forward button. When showing it to family and friends, they begged me to turn it off before I finally did. What other song garners that sort of knee-jerk response? Maybe the "Nails on the Chalkboard" song that I just made up in my head, but other than that, nothing.

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